How to Download the Hottest Music from Around the World in Minutes
Chart of iTunes top 100 songs downloaded at the Apple iTunes music store today. The iTunes top 100 songs chart list countdown includes the hottest and most popular music hits and singles from all musical genres including today's hot pop, rap, rock, and country songs.
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These Nigerian Afrobeats Songs Are Turning 10 Years In 2023 These Nigerian Afrobeats Songs Are Turning 10 Years In 2023. In this article, TrendyBeatz takes a long nostalgic trip down memory lane to curate a list of songs that turned a decade in this new year, 2023. Here's a TrendyBeatz curated list of songs that made 2013 a stellar year for the Nigerian music scene.
The previous decade saw a surge in the number of music app downloads owing to the massive internet penetration in India. The total number of internet users in India are expected to cross 735 Mn by 2021 with more than 73% of them consuming the content in Indian regional languages. Affordable smartphones and even cheaper data costs are the two major catalysts in this boom.
The surge in vernacular content consumption has benefited the popular music streaming giants to establish their pertinent presence in India. At present, the Indian market is dominated by Times Internet-owned Gaana, JioSaavn, Apple Music, YouTube Music and Sweden-based Spotify. In its Diwali report, Spotify highlighted that Bihar, a tier 2 city in India, led the streaming charts on its Diwali curated playlists. By the end of 2019, homegrown music streaming app Gaana crossed 150 Mn users mark.
Launched in 2010, homegrown music streaming app Gaana has been leading the market in India along with crossing a 150 Mn users mark in February 2020. In a bid to take on its competitors, Gaana introduced video stories on its platform showcasing the artists and influencers and enabling users to see short-video content.
A music app launched initially to cater to Apple users, Apple Music was launched in India in 2015 and is currently available for both iOS and Android users. The company is going headstrong in India when it comes to revenue growth thanks to its iPhone 11 series and a series of new product launches.
Wynk by Airtel came into picture in 2014 and was one of the first music streaming services in India which let users download and listen to the songs while offline. It launched as a free service for Airtel subscribers
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One of the first music streaming platforms, SounCloud lets users upload their own tracks to get discovered and recognised. Popular comedian Hasan Minhaj in his Netflix special Patriot Act talks about the rise of hip hop as a music genre and the role of streaming apps such as SoundCloud in putting artists such as Lil Pump and Post Malone on the map.
DJ Leakz project provides the ultimate music experience to you and trend to be today as one of the best Dj Pool in the world. Scroll through DJ Leakz, get downloads and start enjoying!
Here you can find links to all of our entries, which feature collections of loops, hits and multisamples in a wide range of genres. The great news is that you won't have to pay a penny to download any of them.
The samples are supplied as WAV files so can be imported directly into your DAW of choice. Because they're royalty-free, you're welcome to use them in your music in any way you like - all we ask is that you don't re-distribute them.
All the samples originally appeared as free downloads or cover discs given away with issues of Computer Music or Future Music magazine. Check out their latest issues for many more, but first, scroll through the links below (ordered alphabetically) and get downloading!
The Billboard Hot 100 is the music industry standard record chart in the United States for songs, published weekly by Billboard magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio play in the U.S.
The first chart published by Billboard was "Last Week's Ten Best Sellers Among the Popular Songs", a list of best-selling sheet music, in July 1913. Other charts listed popular song performances in theatres and recitals. In 1928, "Popular Numbers Featured by Famous Singers and Leaders" appeared, which added radio performances to in-person performances. On January 4, 1936, Billboard magazine published "Ten Best Records for Week Ending", which recorded the 10 top selling records of three leading record companies as reported by the companies themselves. In October 1938, a review list, "The Week's Best Records", was retitled "The Billboard Record Buying Guide" by incorporating airplay and sheet music sales, which would eventually become the first trade survey of record popularity. This led to the full-page "Billboard Music Popularity Chart" for the week ending July 20, 1940 and published in the July 27 issue, with lists covering jukebox play, retail sales, sheet music sales, and radio play. Listed were 10 songs of the national "Best Selling Retail Records", which was the fore-runner of today's pop chart, with "I'll Never Smile Again" by Tommy Dorsey its first number one.
On June 17, 1957, Billboard discontinued the Most Played in Jukeboxes chart, as the popularity of jukeboxes waned and radio stations incorporated more and more rock-oriented music into their playlists. The week of July 28, 1958, had the final Most Played by Jockeys and Top 100 charts, both of which had Perez Prado's instrumental version of "Patricia" ascending to the top.
The Billboard Hot 100 is still the standard by which a song's popularity is measured in the United States. The Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data compiled by Nielsen Soundscan (both at retail and digitally) and streaming activity provided by online music sources.
Although the advent of a singles music chart spawned chart historians and chart-watchers and greatly affected pop culture and produced countless bits of trivia, the main purpose of the Hot 100 is to aid those within the music industry: to reflect the popularity of the "product" (the singles, the albums, etc.) and to track the trends of the buying public. Billboard has (many times) changed its methodology and policies to give the most precise and accurate reflection of what is popular. A very basic example of this would be the ratio given to sales and airplay. During the Hot 100's early history, singles were the leading way by which people bought music. At times, when singles sales were robust, more weight was given to a song's retail points than to its radio airplay.
As many Hot 100 chart policies have been modified over the years, one rule always remained constant: songs were not eligible to enter the Hot 100 unless they were available to purchase as a single. However, on December 5, 1998, the Hot 100 changed from being a "singles" chart to a "songs" chart. During the 1990s, a growing trend in the music industry was to promote songs to radio without ever releasing them as singles. It was claimed by major record labels that singles were cannibalizing album sales, so they were slowly phased out. During this period, accusations began to fly of chart manipulation as labels would hold off on releasing a single until airplay was at its absolute peak, thus prompting a top ten or, in some cases, a number-one debut. In many cases, a label would delete a single from its catalog after only one week, thus allowing the song to enter the Hot 100, make a high debut and then slowly decline in position as the one-time production of the retail single sold out.
As debate and conflicts occurred more and more often, Billboard finally answered the requests of music industry artists and insiders by including airplay-only singles (or "album cuts") in the Hot 100.
Since February 12, 2005, the Billboard Hot 100 tracks paid digital downloads from such internet services as iTunes, Musicmatch, and Rhapsody. Billboard initially started tracking downloads in 2003 with the Hot Digital Tracks chart. However, these downloads did not count towards the Hot 100 and that chart (as opposed to Hot Digital Songs) counted each version of a song separately (the chart still exists today along with Hot Digital Songs). This was the first major overhaul of the Hot 100's chart formula since December 1998.
The change in methodology has shaken up the chart considerably, with some songs debuting on the chart strictly with robust online sales and others making drastic leaps. In recent years, several songs have been able to achieve 80-to-90 position jumps in a single week as their digital components were made available at online music stores. Since 2006, the all-time record for the biggest single-week upward movement was broken nine times.
A growing trend early in the first decade of the 21st century was to issue a song as a "remix" that was so drastically different in structure and lyrical content from its original version that it was essentially a whole new song. Under normal circumstances, airplay points from a song's album version, "radio" mix and/or dance music remix, etc. were all combined and factored into the song's performance on the Hot 100, as the structure, lyrics and melody remained intact. Criticisms began when songs were being completely re-recorded to the point that they no longer resembled the original recording. The first such example of this scenario is Jennifer Lopez's "I'm Real". Originally entering the Hot 100 in its album version, a "remix" was issued in the midst of its chart run that featured rapper Ja Rule. This new version proved to be far more popular than the album version and the track was propelled to number one.
An artist or band's ability to have hits in the Hot 100 across multiple decades is recognized as a sign of longevity and being able to adapt to changing musical styles. Only five artists had a Hot 100 Top 40 hit in each of the four decades from the 1980s through the 2010s: Michael Jackson, Madonna, "Weird Al" Yankovic, U2, and Kenny G. Mariah Carey is the first artist to have a number-one single in four different decades.